The Employee: A Political History review
Thanks to David Convery for drawing my attention to this interesting review! on the
this blog post Sophie Duncan from is sort of like steam punk 🙂
I bow to nobody in my appreciation of Weird Victorian Antics, hold a gold medal for getting distracted by bizarre stuff from Victorian periodicals and should in any case really be concentrating on my viva prep / teaching prep / article.
Neverthless, thanks to a database search gone (so) wrong, I just found the following paragraph at the start of an 1888 article on women’s fashion and beauty:
“Hints to Women: […]
TEA GOWNS. If you want to look your prettiest, to bewitch your husband or big brother, to fascinate your cousin or to charm your friends en masse, get a tea gown.” [emphasis mine. Like the screams]
The guilty publication was The Daily Inter Ocean, published on 12 February 1888 in Chicago, presumably then a city of webbed feet, hairy backs and family trees that would have made Queen Victoria’s maddest lapdog look like a good genetic prospect.
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Amazon(s AMZN) is acquiring the cloud-based digital comics platform comiXology, the companies announced Thursday. The purchase price wasn’t disclosed.
ComiXology lets users read digital comics and graphic novels on a number of platforms, including web, iOS(s aapl), Android(s GOOG), Kindle Fire and Windows(s MSFT) 8. It was Apple’s top-grossing non-game iPad app in both 2012 and 2013.
“Amazon and comiXology share a passion for reinventing reading in a digital world,” David Naggar, Amazon VP of content acquisition and independent publishing, said in a statement. “We’ve long admired the passion comiXology brings to changing the way we buy and read comics and graphic novels. We look forward to investing in the business, growing the team, and together, bringing comics and graphic novels to even more readers.”
go look at Dr Sophie Duncan’s Blog its v good i promise you
Where I’ve been: on 12 March, I gave my talk at the Tricycle, which sold out! I was delighted, both to see so many friends there, and that people were attending other than my compassionate family & friends. Plus, as well as introducing E & my mother to Adrian Lester (who deteriorates in neither charm nor good looks, it must be said), the Tricycle’s AD, Indhu Rubasingham appeared from nowhere to introduce my talk in an incredibly kind and complimentary way. The audience looked surprised, because until then I think they’d been assuming that the child in the jumper faffing around the projector cable was some sort of admin assistant/work experience minion, rather than the speaker…
Christopher Ravenscroft and Rhiannon Sommers in The Notorious Mrs Ebbsmith.
Then on 14 March, I went in to Primavera Productions’ rehearsals for Arthur Wing Pinero’s The Notorious Mrs Ebbsmith, to talk about…
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On 12 March, I’ll be giving a pre-show talk for Red Velvet, the award-winning play by Lolita Chakrabarti, directed by Indhu Rubasingham, and starring Adrian Lester, that’s currently on at the Tricycle Theatre. I was historical advisor on the first production and have been asked back to recreate my work in the rehearsal room (scary participation absolutely not required) and to give a seminar-cum-workshop on the process of bringing the nineteenth-century theatre to life! Adrian Lester’s already talked a bit about this process in an article for the Guardian (note the quoted source *cough*), and, seriously, do come along, because it will be awesome. There will be stuff about race, nineteenth-century acting technique, gesture, theatre history, the importance of such vital artistic theories as “big legs” and “the teapot” and how we might represent past acting styles in a way that engages a twenty-first century audience.
And Shakespeare. There’ll…
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remember thar play i was working with heres a post about it from max the director
The production occurred in such an amazingly organic, flowing way. Whilst interviewing for stage management, I met a student who happened to be a singer, and who was studying Spanish. This student ended up creating and singing the music, teaching it to the student/ actors and in finding a guitarist who played Spanish guitar who played live. This in turn made me fully realise the general atmosphere I wanted to create was as if the audience was attending a Spanish music session rather than a Play. The person who was organising sound was shifted to the lighting as we went further to develop this ambiance…
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