Archive for the ‘Uncategorized’ Category

The Employee: A Political History review

Thanks to David Convery for drawing my attention to this interesting review! on the 

ICHLC – The Irish Centre for Histories of Labour and Class facebook page check it out it out its an interdisciplinary group comprised of students, postgradutes, academics in NUI Galway and other universities. Convened by Dr John Cunningham, Dr Sarah-Anne Buckley and Dr Laurence Marley (Dept History, NUI Galway) and other members  of the department with Labour interests 

 

Victorian Weirdness

Posted: April 10, 2014 in Uncategorized

this blog post Sophie Duncan from is sort of like steam punk 🙂

CLAMOROUS VOICE

I bow to nobody in my appreciation of Weird Victorian Antics, hold a gold medal for getting distracted by bizarre stuff from Victorian periodicals and should in any case really be concentrating on my viva prep / teaching prep / article.

Neverthless, thanks to a database search gone (so) wrong, I just found the following paragraph at the start of an 1888 article on women’s fashion and beauty:

“Hints to Women: […]

TEA GOWNS. If you want to look your prettiest, to bewitch your husband or big brother, to fascinate your cousin or to charm your friends en masse, get a tea gown.” [emphasis mine. Like the screams]

The guilty publication was The Daily Inter Ocean, published on 12 February 1888 in Chicago, presumably then a city of webbed feet, hairy backs and family trees that would have made Queen Victoria’s maddest lapdog look like a good genetic prospect.

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Gigaom

Amazon(s AMZN) is acquiring the cloud-based digital comics platform comiXology, the companies announced Thursday. The purchase price wasn’t disclosed.

ComiXology lets users read digital comics and graphic novels on a number of platforms, including web, iOS(s aapl), Android(s GOOG), Kindle Fire and Windows(s MSFT) 8. It was Apple’s top-grossing non-game iPad app in both 2012 and 2013.

“Amazon and comiXology share a passion for reinventing reading in a digital world,” David Naggar, Amazon VP of content acquisition and independent publishing, said in a statement. “We’ve long admired the passion comiXology brings to changing the way we buy and read comics and graphic novels. We look forward to investing in the business, growing the team, and together, bringing comics and graphic novels to even more readers.”

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go look at Dr Sophie Duncan’s Blog its v good i promise you

CLAMOROUS VOICE

Where I’ve been: on 12 March, I gave my talk at the Tricycle, which sold out! I was delighted, both to see so many friends there, and that people were attending other than my compassionate family & friends. Plus, as well as introducing E & my mother to Adrian Lester (who deteriorates in neither charm nor good looks, it must be said), the Tricycle’s AD, Indhu Rubasingham appeared from nowhere to introduce my talk in an incredibly kind and complimentary way. The audience looked surprised, because until then I think they’d been assuming that the child in the jumper faffing around the projector cable was some sort of admin assistant/work experience minion, rather than the speaker…

Christopher Ravenscroft and Rhiannon Sommers in The Notorious Mrs Ebbsmith.

Then on 14 March, I went in to Primavera Productions’ rehearsals for Arthur Wing Pinero’s The Notorious Mrs Ebbsmith, to talk about…

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CLAMOROUS VOICE

On 12 March, I’ll be giving a pre-show talk for Red Velvet, the award-winning play by Lolita Chakrabarti, directed by Indhu Rubasingham, and starring Adrian Lester, that’s currently on at the Tricycle Theatre. I was historical advisor on the first production and have been asked back to recreate my work in the rehearsal room (scary participation absolutely not required) and to give a seminar-cum-workshop on the process of bringing the nineteenth-century theatre to life! Adrian Lester’s already talked a bit about this process in an article for the Guardian (note the quoted source *cough*), and, seriously, do come along, because it will be awesome. There will be stuff about race, nineteenth-century acting technique, gesture, theatre history, the importance of such vital artistic theories as “big legs” and “the teapot” and how we might represent past acting styles in a way that engages a twenty-first century audience.

And Shakespeare. There’ll…

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remember thar play i was working with heres a post about it from max the director

Max Hafler - Radiating /Receiving

The photo, a rehearsal shot by Jim Hynes, shows Aoife Corry , as YERMA, with Claire Keating and Marie Hegarty in the background. The production, a collaboration between NUI Galway and Core Theatre College, was performed in February 2014 at the Mick Lally Theatre Galway.

The production occurred in such an amazingly organic, flowing  way. Whilst interviewing for stage management, I met a student who happened to be a singer, and who was studying Spanish. This student ended up creating and singing the music, teaching it to the student/ actors and in finding a guitarist who played Spanish guitar who played live. This in turn  made me fully realise the general atmosphere I wanted to create was as if the audience was attending  a Spanish music session rather than a Play. The person who was organising sound was shifted to the lighting as we went further to develop this ambiance…

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America’s leading writer about the law takes a close, incisive look at one of society’s most vexing legal issues.

Scott Turow is known to millions as the author of peerless novels about the troubling regions of experience where law and reality intersect. In “real life,” as a respected criminal lawyer, he has been involved with the death penalty for more than a decade, including successfully representing two different men convicted in death-penalty prosecutions. In this vivid account of how his views on the death penalty have evolved, Turow describes his own experiences with capital punishment from his days as an impassioned young prosecutor to his recent service on the Illinois commission which investigated the administration of the death penalty and influenced Governor George Ryan’s unprecedented commutation of the sentences of 164 death row inmates on his last day in office. Along the way, he provides a brief history of America’s ambivalent relationship with the ultimate punishment, analyzes the potent reasons for and against it, including the role of the victims’ survivors, and tells the powerful stories behind the statistics, as he moves from the Governor’s Mansion to Illinois’ state-of-the art ‘super-max’ prison and the execution chamber

This gripping, clear-sighted, necessary examination of the principles, the personalities, and the politics of a fundamental dilemma of our democracy has all the drama and intellectual substance of Turow’s celebrated fiction.

REVIEWS

“A sober and elegantly concise examination of a complex, fraught topic.” —Publishers Weekly

“A thoughtful account of the evolution of [Turow’s] views on the death penalty… Turow does an excellent job of describing how he wrestled with the arguments for and against the death penalty… By clearly and methodically sorting through the issues regarding the ultimate punishment, Turow has performed a public service. By turns shocking and engrossing, this book is highly recommended.”
—Harry Charles, Library Journal

“In that rarest of achievements, a page-turner filled with genuine wisdom, Scott Turow takes us with him on a mesmerizing voyage through the land of murder that he has sadly learned to navigate with skill and compassion, allowing us to hear the stories and feel the grief of the survivors who loved and will never see again those whose lives were stolen in acts of ultimate evil, enabling us to share the experiences of accuser and accused alike as they feel their separate ways through the corridors and courtrooms that constitute the elaborate machinery of death, holding us spellbound as we arrive finally at the secret lying at the heart of every one of Turow’s gripping novels, a secret whose revelation exposes what we truly seek from capital punishment—and why we will never find it there. Written with a fine lawyer’s feel for fairness and with a superb novelist’s gift for telling us truths beyond the power of law’s logic to express, Ultimate Punishment is the ultimate statement about the death penalty: to read it is to understand why law alone cannot make us whole.” —Laurence H. Tribe, Tyler Professor of Constitutional Law, Harvard Law School

identical

tate Senator Paul Giannis is a candidate for Mayor of Kindle County. His identical twin brother Cass is newly released from prison, 25 years after pleading guilty to the murder of his girlfriend, Dita Kronon. When Evon Miller, an ex-FBI agent who is the head of security for the Kronon family business, and private investigator Tim Brodie begin a re-investigation of Dita’s death, a complex web of murder, sex, and betrayal-as only Scott Turow could weave-dramatically unfolds… 

Scott is a former supervisor in the United States Attorney’s Office in Chicago, and has extensive experience with federal criminal prosecutions, including grand jury matters, as both a prosecutor and as defense counsel.  

Gladstone Bag

 

So how are the cats June, have you decided to add to your litter?

 It was this seemingly innocuous question by a lovely mother of twins, at a recent birthday party for a friend’s little girl that stopped me in my tracks. I suddenly realized that not being a mother immediately made me a crazy cat lady in her mind.

Did all other women see me like this?

It also drove home the point that because I wasn’t a mother the only other thing women who are lucky enough to be mothers, could think to ask me about, was cats.

Don’t get me wrong as everyone who knows me will tell you I adore our cats. In fact I love all animals. I also love my wonderful siblings, my gorgeous nieces and nephews, my very handsome husband, my dad, and I miss my lovely mum every day.

I love…

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