Archive for the ‘Uncategorized’ Category

ACTING MASTERCLASS

Zachary Quinto
€50 | Friday 12th July 2013 | 10a.m. – 1p.m. | Radisson Blu Hotel, Galway

The 25th Galway Film Fleadh, in association with Hubbard Casting and Screen Training Ireland, are delighted to announce that Zachery Quinto will be the subject of this year’s Actors Masterclass.

“I have an inherent understanding to his (Spock’s) nature, which is one of duality – the head versus the heart. That is certainly something I can relate to. As someone who has been considered pretty intellectual and wordy, I also have a deep well of emotional life. I understand what it means to be in constant relationship to both of those aspects of myself.”

The role of Spock required an actor capable of cultivating a strong emotional life that lies just under the surface, only exploding forth at times of great duress. Feeling emotions but only rarely emoting them is something counter-intuitive to most actors but Quinto absolutely nailed the balance in his big-screen breakthrough, garnering rave reviews for his portrayal and helping the film earn over $250 million internationally, making it the most successful film of the long-running Star Trek franchise.

The prolific actor has gone on to star in such popular TV shows as 24, Heroes and American Horror Story, as well as producing and starring in Margin Call. Now, fresh from reprising his role as Mr. Spock in Star Trek into Darkness, Quinto is preparing to make his long-anticipated return to the West of Ireland for the 25th Galway Film Fleadh.

The Actors Masterclass will be hosted by John Hubbard of Hubbard Casting and will provide an intensive interactive environment in the skills, methodology and aesthetics of film acting aimed at actors working or wanting to work more in film. The masterclass will cover such topics as:

Starting out as an actor
Dealing with casting directors
Securing an agent
Preparing for an audition
Working on set
Relationship with the director and many more.

Places are limited – please be advised that all applicants MUST be over 18 years of age and MUST submit a CV and headshot in order to be considered for a place.

The masterclass costs €50 and will take place on Friday the 12th of July from 10am – 1pm in the Radisson Hotel, Galway. To apply for a place, log onto http://www.screentrainingireland.ie with your CV and register your details. Please email your headshot and contact details to masterclasses@galwayfilmfleadh.com

For further information on all masterclasses and workshops, please contact Brónagh Keys at 091-562200 or email: masterclasses@galwayfilmfleadh.com

**Update**
The closing date for applications has been extended to 1pm Thursday the 4th of July 2013

Past Actors have included:
Amanda Plummer, Michael Fassbander, Jessica Lange, Jeremy Irons, Kathy Bates, Campbell Scott, Patricia Clarkson, John Lynch, Stanley Tucci, Pierce Brosnan, Aidan Quinn, Colm Meaney, Woody Harrelson and Gabriel Byrne

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SCREENWRITING MASTERCLASS

Screenwriting Masterclass

Daniel Waters

€50 | Thursday July 11th 2013 | 3p.m. – 6p.m. | Radisson Blu Hotel


 

The 25th Galway Film Fleadh, in association with the National Film School at I.A.D.T. is delighted to announce that Daniel Waters will be the subject of this year’s Screenwriters Masterclass.

 

‘People will look at the ashes of Westerburg and say, “Now there’s a school that self-destructed, not because society didn’t care, but because the school was society.” Now that’s deep.’- JD (Christian Slater),Heathers

 

Born in Cleveland, Ohio, raised in the wilds of Indiana, educated in Montreal, Daniel Waters came to Los Angeles in the 80’s where he did the de rigueur video-store-clerk-to-screenwriter transformation and burst onto the scene with Heathers, the seminal 1989 dark comedy that re-defined the Teen Film genre, for better or worse. From there, poor Daniel got swept up into the world of big-budget action films with varying success: The Adventures of Ford Fairlane (1990), Hudson Hawk(1991), the Catwoman-scented Batman Returns (1992), and Demolition Man (1993), which chillingly predicted Arnold Schwartzenegger’s political future.

 

According to Daniel, he got off the studio merry-go-round to write many dazzlingly brilliant and therefore unmade scripts before embarking on a directing career (Happy Campers 2000, Sex and Death 101 2008) that has brought joy to ‘tens and tens of people around the globe’.
Vampire Academy: Blood Sisters, now shooting in London, marks Daniel’s entree into the supernatural-young-adult-novel-adaptation world (He likes to come to genres as they are dying) and his first collaboration with Mark Waters, his commercially more successful younger brother.

 

The Screenwriters Masterclass will be facilitated by Mary Kate O Flanagan. Mary Kate works with writers and producers internationally, helping to shape and polish screenplays. She has designed and delivered training for screenwriters across Europe with her colleagues from USC since 2006. She is a lecturer at The National Film School at I.A.D.T. in Ireland and FAMU in Prague as well as a guest expert at The London Screenwriters Festival, MAIA, and lead tutor on the Midpoint and Storyworks script development programmes.

 

The masterclass costs €50 and will take place on Thursday the 11th of July from 3pm – 6pm in the Radisson Hotel, Galway. For further information or to apply for a place, contact Brónagh Keys at 091-562200 or email: masterclasses@galwayfilmfleadh.com

 

The closing date for applications is: 1pm Friday – the 5th of July 2013

 

The MA in Screenwriting at the National Film School, at IADT, has been delivering a prestigious and practical course for more than a decade. We are delighted to support this event with such a master of the craft.

 

Past Screenwriters have included:

Larry Karaszewski, Scott Alexander, Gill Dennis, Sir Ronald Harwood, Christopher Hampton, Martin Daniel, Terry George, Robert Towne, Paul Schrader and Paul Laverty

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DIRECTOR’S MASTERCLASS

Director's Masterclass

Julien Temple

€50 | Thursday 11th July 2013 | 3.30p.m. – 6.30p.m. | Radisson Blu Hotel

 


 

 

The 25th Galway Film Fleadh, in association with Screen Training Ireland, is delighted to announce that Julien Temple will be the subject of this year’s Directors Masterclass.

 

Born in London, England, in 1953, Julien Temple grew up with little interest in film until, when a student at Cambridge, he discovered the works of French anarchist director Jean Vigo. This, along with his interest in the early punk scene in London in 1976, led to his friendship with The Sex Pistols. It was this friendship that later resulted in the controversial documentary The Great Rock and Roll Swindle (1980), which tells the rise of the band from the viewpoint of their manager, Malcolm McLaren. Weaving together interviews, live music, animation and other spectacular footage, Swindle proved to be a critical success despite the controversy surrounding it. The documentary became a cult hit and helped launch Temple into a phenomenally successful career making music videos. He quickly became a wanted man among rock’s elite and in the 1980s, helped pioneer the use of the music video, directing projects for The Rolling Stones, The Kinks, David Bowie, Neil Young and Janet Jackson among others. His early work was (and still is) considered groundbreaking.

 

Temple worked on a variety of projects, Jazzin’ for Blue Jean (1984)The Comic Strip (1981)Absolute Beginners (1986), Earth Girls Are Easy(1988), and many others before returning to his punk roots with a new documentary about the Sex Pistols, The Filth and the Fury (2000), which was told from the band’s perspective. In 2006 he returned to the punk rock scene once again with Joe Strummer: The Future Is Unwritten(2007), a documentary about his longtime friend and Clash frontman. One of his more recent projects came at the request of BBC Arts, which commissioned Temple to produce a documentary about the city of London. The film, This Is London (2012), reflects Temple’s reverence for his home city and shows how the city has changed and adapted since the early 20th century. It concludes with the metropolis preparing to welcome the Olympic Games. The film is a part of a series of city-based music documentaries Temple is directing.

 

The masterclass will be hosted by director Kieron J. Walsh and will cover such topics as:

The role of the director, what is the directors job, from script to screen, relationship with; producer, writer/story editors, director of photography, subjects, editor and composer. The processes of post-production; editing, juxtaposition and montage, construction of artificial time and space, use of music, analysis of selected scenes from the films and creation of authorship in editing.

 

The masterclass costs €50 and will take place on Thursday the 11th of July from 3.30pm – 6.30pm in the Radisson Hotel, Galway. To apply for a place, log onto www.screentrainingireland.ie with your CV and register your details. Please email your contact details tomasterclasses@galwayfilmfleadh.com

For further information on all masterclasses and workshops, please contact Brónagh Keys at 091-562200 or email:masterclasses@galwayfilmfleadh.com

 

**Update**

The closing date for applications has been extended to Thursday the 4th of July 2013

 

Past Directors have included:

Ventura Pons, David Mackenzie, Stephen Daldry, Alex Gibney, Volker Schloendorff, Nic Roeg, Luis Mandoki, Agnieszka Holland, Mira Nair, Abbas Kiarostami, Stephen Frears, Michael Winterbottom, Walter Salles and Anthony Minghella.

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CASTING WORKSHOP

Casting Workshop

 

€50 | Saturday July 13th, 2013 | 2 – 5p.m. | Radisson Blu Hotel


 

The 25th Galway Film Fleadh, in association with Hubbard Casting, are proud to present a casting workshop with Ros and John Hubbard.

 

Casting Director Ros Hubbard, who is from Dublin, set up Hubbard Casting with her husband John, who is from Norfolk, in 1976 and now works from their HQ in London and Dublin. Their children, Dan and Amy, have since joined them in the business and are very successful casters in their own right. Amy’s recent work includes The Hobbit, directed by Peter Jackson, The Selfish Giant, directed by Clio Bernard and currently shooting in Ireland Our Robot Overlords, directed by Jon Wright. Dan has recently completed Captain Phillips, directed by Paul Greengrass and is currently casting Downton Abbey and Suite Francaise directed by Saul Dibb.

 

In a career that has spanned over 30 years, the Hubbard outfit’s notable discoveries have included Orlando Bloom, whom they cast in the Lord of the Rings Trilogy, Kate Winslet and they currently have Aidan Turner and James Nesbitt starring in The Hobbit. In addition to presiding with Alan Parker over the epic Irish casting process for The Commitments, the many notable recent Hubbard Casting credits include Romeo and JulietThe Necessary Death of Charlie CountrymanWhole Lotta Sole, and Summer in February and John and Ros are currently casting Draculafor Irish director Gary Shore and NBC Universal. Ros has won many awards for her contribution to film, the last being when she and John were honoured for their work on The Commitments at the Oscar Wilde Awards in LA in 2011. Recently, in an effort to assist films getting made they have started to produce, they are currently producing The Hound Of Erin, directed by Gary Shore and One Square Mile, directed by Michael Caton-Jones but love and will continue to cast.

 

Places are limited – all successful applicants MUST bring an updated CV and headshot with them on the day, and have a monologue prepared and ready to perform (no longer than 1 minute). The Hubbards may choose to ‘spot pick’ performers as there may not be enough time for everyone to perform. Please note there is an age restriction on this workshop – applicants must be over 17 years of age and as old as they like!

 

The workshop costs €50 and will take place on Saturday the 13th of July from 2pm – 5pm in the Radisson Hotel, Galway. For further information or to apply for a place, contact Brónagh Keys at 091-562200 or emailmasterclasses@galwayfilmfleadh.com

The closing date for applications is: Friday – the 5th of July 2013

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CASTING WORKSHOP

€50 | Saturday July 13th, 2013 | 2 – 5p.m. | Radisson Blu Hotel

The 25th Galway Film Fleadh, in association with Hubbard Casting, are proud to present a casting workshop with Ros and John Hubbard.

Casting Director Ros Hubbard, who is from Dublin, set up Hubbard Casting with her husband John, who is from Norfolk, in 1976 and now works from their HQ in London and Dublin. Their children, Dan and Amy, have since joined them in the business and are very successful casters in their own right. Amy’s recent work includes The Hobbit, directed by Peter Jackson, The Selfish Giant, directed by Clio Bernard and currently shooting in Ireland Our Robot Overlords, directed by Jon Wright. Dan has recently completed Captain Phillips, directed by Paul Greengrass and is currently casting Downton Abbey and Suite Francaise directed by Saul Dibb.

In a career that has spanned over 30 years, the Hubbard outfit’s notable discoveries have included Orlando Bloom, whom they cast in the Lord of the Rings Trilogy, Kate Winslet and they currently have Aidan Turner and James Nesbitt starring in The Hobbit. In addition to presiding with Alan Parker over the epic Irish casting process for The Commitments, the many notable recent Hubbard Casting credits include Romeo and Juliet, The Necessary Death of Charlie Countryman, Whole Lotta Sole, and Summer in February and John and Ros are currently casting Dracula for Irish director Gary Shore and NBC Universal. Ros has won many awards for her contribution to film, the last being when she and John were honoured for their work on The Commitments at the Oscar Wilde Awards in LA in 2011. Recently, in an effort to assist films getting made they have started to produce, they are currently producing The Hound Of Erin, directed by Gary Shore and One Square Mile, directed by Michael Caton-Jones but love and will continue to cast.

Places are limited – all successful applicants MUST bring an updated CV and headshot with them on the day, and have a monologue prepared and ready to perform (no longer than 1 minute). The Hubbards may choose to ‘spot pick’ performers as there may not be enough time for everyone to perform. Please note there is an age restriction on this workshop – applicants must be over 17 years of age and as old as they like!

The workshop costs €50 and will take place on Saturday the 13th of July from 2pm – 5pm in the Radisson Hotel, Galway. For further information or to apply for a place, contact Brónagh Keys at 091-562200 or email masterclasses@galwayfilmfleadh.com
The closing date for applications is: Friday – the 5th of July 2013

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CANON CINEMA EOS SYSTEM SEMINAR

Canon Cinema EOS System Seminar

Canon Cinema EOS Systems

€FREE | Saturday July 13th 2013 | 12.30p.m. – 1.30p.m. | Radisson Blu Hotel


 

The 25th Galway Film Fleadh, in association with Canon Ireland, is delighted to announce that Steve O’Reilly will present a seminar on the Canon Cinema EOS System.

 

Steve is a Director of Photography and has 18 years experience shooting and directing TV series, feature length documentaries and commercials. As an early adaptor to new technology, Steve shot the first Irish TV series to be entirely shot on EOS 5D Mark II. He has shot extensively on Cinema EOS since it’s first arrival in early 2012.

 

In this seminar, Steve will deliver an in-depth insight into his experience shooting with the cinema EOS System including: EOS C300, EOS C100, EOS 1DC and the EOS 5D Mark III as well as the very latest in Canon CINE-Lenses.

 

For more product information, please go to:

www.canon-europe.com/cinemaeos


The Masterclass will take place on Saturday the 13th of July from 12.30pm – 1.30pm in the Radisson Hotel, Galway. For further information or to book a place, contact Bronagh Keys at 091-562200 or email: masterclasses@galwayfilmfleadh.com

 

 

 

Places are limited so please book in advance.

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HORT FILM SCRIPT WORKSHOP

Short Film Script Workshop

OFFline Film Festival Tullamore

€20 | Saturday July 13th 2013 | 11a.m. – 1p.m. | Studio Space, Town Hall Theatre


 

OFFline Film Festival are hosting a Short Film Script Workshop from 11am to 1pm, Saturday 13th July at the Studio Space (Courthouse Square). 

 

Panelists include Oscar-nominated filmmaker Steph Green, film festival strategist Kathleen McInnis and award-winning Offaly screenwriter and playwright Eugene O’Brien. Filmmakers will receive expert advice on how to best prepare their scripts before venturing into production. Writers of all backgrounds welcome.

 

You do not need to bring a script with you, however, OFFline competitors in October are encouraged to submit their short film script to OFFline Filmmaking Competition before 5th July (a little early for October shooting but well worth the opportunity) for a chance to get feedback on their script by our panelists at this workshop.

 

Contact 085 238 9416 for details. Tickets are available using the online form on the OFFline website(towards bottom of page).

 

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FILM CRITICISM WORKSHOP

Film Criticism Workshop

Film Fund Luxembourg

€FREE (limited spaces, please arrive early) | Thursday July 11th 2013 | 4p.m. – 5.30p.m. | Studio Space, Town Hall Theatre


 

The 25th Galway Film Fleadh, in association with Film Fund Luxembourg, are proud to present a workshop on Film Criticism presented by Boyd van Hoeij. This workshop will cover several topics related to film writing and will help sharpen the audience’s critical perception. The workshop is open to all but should prove especially interesting for budding arts writers, film enthusiasts interested in analysis and discussion of film technique and those interested in reviews and criticism.

 

Topics covered include:

  • How to read reviews
  • How to “read” films
  • How to write about film for different audiences (blogs, newspapers, magazines)
  • A discussion of the use/existence of convincing arguments in arts criticism (is everything “just opinion” or is one opinion better than the other and if so, how and why?)

 

PLEASE NOTE!
As this is a free workshop and is taking place in one of our smaller venues (capacity 60 people), we strongly advise early attendance for this workshop. 

 

Biography:

Boyd van Hoeij is a freelance film writer and a Europe-based critic of U.S. trade magazine The Hollywood Reporter. He previously worked at trade paper Variety as a contributing critic and is currently also the film editor of queer magazine Winq (Netherlands) and its English-language twin, Mate (U.S./U.K.), and a regular contributor to Filmkrant (Netherlands), East (Italy) and indieWIRE (U.S.). His book 10/10, Dix réalisateurs – Dix ans de cinéma belge francophone, les années 2000, about contemporary Francophone Belgian cinema, came out in September 2010 (English title: 10/10, Ten directors, Ten Years of French-Language Belgian Cinema, The 2000s). He’s taught film criticism short courses at festivals in the U.S., Lithuania, Portugal and Luxembourg and has been a lecturer or panelist at festivals including Berlin, Cannes and Sydney.

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ZACHARY QUINTO TO HOST LIVE Q&A’S *UPDATED*

Zachary Quinto to Host Live Q&A’s *UPDATED*

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Update: 

Due to unforeseen circumstances, Zachary Quinto will be arriving in Galway later than planned. The good news is that Zachary will be participating in an extended Star Trek Q+A, but separate from the film’s screening on Wednesday 9th July. Everyone who purchases a ticket for Star Trek on Wednesday at 12pm, will be admitted to an intimate and informal Q+A with the actor on Friday 12th July from 4-5pm in the Radisson Ballroom. Only those with a Star Trek ticket will be admitted. We apologise for any inconvenience caused.The screening of Margin Call with Q+A on Saturday 13th July at 2pm remains unaffected. 

Margin Call And Q&A With Zachary Quinto

Margin Call and Q&A with Zachary Quinto

It may have happened something like this… Margin Call depicts the last night of good times on Wall Street, as a deadly certainty travels up the executive ladder in an investment firm. Disastrous speculation in the mortgage markets is leading to the firm’s collapse.

Who can recall those days in the summer of 2008, during the Obama and McCain campaigns, when America seemed awash in prosperity, and the stock market was setting records. Then one firm after another was forced to declare bankruptcy.

 

A film that never casts stones but instead allows viewers to decide who may be redeemed, with Zachary Quinto, Kevin Spacey and Jeremy Irons successfully blurring the line between victim and villain, Margin Call is timely and compelling entertainment.

A Q&A session with actor/producer Zachary Quinto will follow the screening.

Running Time: 107 mins | Colour
Producers: Robert Ogden Barnum, Michael Benaroya, Neal Dobson, Joe Jenckes, Corey Moosa, Zachary Quinto
Script:   J.C. Chandor
Cast: Kevin Spacey, Paul Bettany, Zachary Quinto, Jeremy Irons, Simon Baker, Mary McDowell, Demi Moore, Stanley Tucci
Production: Before The Door Pictures, Benaroya Pictures
Print Source: Stealth Media Group

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The Galway Film Fleadh is proud to present an afternoon in the company of one of Ireland’s leading young actors, Saoirse Ronan, star of such films as AtonementThe Lovely BonesThe Host and Hanna. Hosted by Arena’s Sean Rocks, Saoirse will discuss her astounding rise from precociously talented childstar to one of Hollywood’s A-list and share her experiences with the audience.

 


 

 

HANNA


 

 

Award-winning director Joe Wright creates a boldly original suspense thriller with Hanna, starring Academy Award nominee Saoirse Ronan in the title role. 

 

Raised by her father (Eric Bana of Star Trek), an ex-CIA man, in the wilds of Finland, Hanna’s upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Academy Award winner Cate Blanchett). 

 

As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity.

Running Time: 111 mins | Colour

Producers: Marty Adelstein, Leslie Holleran, Scott Nemes

Script: Seth Lochhead, David Farr

Cast: Saoirse Ronan, Eric Bana, Cate Blanchett, Vicky Kreips, Paris Arrowsmith, 
John Macmillan

Production: Focus Features, Holleran Company

Print Source: Universal Pictures, Ireland

By popular demand, actor Zachary Quinto will host two live Q&A sessions at this year’s event, as well as the Actors Masterclass. Following the screenings of Star Trek and Margin Call, a sobering feature which depicts the last days of Wall Street following the collapse of the markets and starring Kevin Spacey, Jeremy Irons and Demi Moore, Quinto will take questions from the audience.

 

 

The Star Trek screening will take place at the Town Hall Theatre on Wednesday 10th July at 12pm, with an extended Q&A with fans to follow on Friday 12th July at the Radisson ballroom. The Margin Call screening will also take place at the IMC in Screen 7 and will be followed by an audience Q&A with Quinto.

Tickets are available at www.tht.ie or on 091 569 777.

 

n Conversation With James Morris, Hosted By Lelia Doolan

In Conversation with James Morris, hosted by Lelia Doolan

The Galway Film Fleadh is delighted to present an afternoon of chat and Irish cinema as we pay tribute to former Irish Film Board Chair and founding member and CEO of Windmill Lane Pictures, James Morris.

 

Lelia Doolan will conduct an intimate ‘in-conversation’ session before the screening of In The Name of the Father, one of James’ favourite Irish films.

 

 

In the Name of the Father

This is the true story of the Guildford Four adapted from Gerry Conlon’s book Proved Innocent.

 

5 October 1974. Two young Irish men spent the night wandering the streets of London. On the same night five people were killed in explosions in two Guildford pubs. Gerry Conlon, Paul Hill, Carole Richardson and Paddy Armstrong were arrested and in the ensuing investigations Scotland Yard arrested Conlon’s aunt, Annie Maguire, her family and his father, Guiseppe Conlon.

 

In 1989, the Conlons’ legal counsel found evidence stating that the tramp that Gerry and Paul had talked to had in fact attested to their whereabouts, but this had been deliberately withheld from the defence. This was sufficient to re-open the case and have the convictions overturned.

 

One cannot say that this is a ‘feel good’ film, but neither is it depressing and dark. Rather surprisingly it is at times lightheaded and frankly funny. This mixed with the outstanding performances of the central characters, and the absolutely electric pacing, makes a wonderful hybrid of the political/prison drama.

 

 

Dir. Jim Sheridan | Ireland | 1993

Running Time: 133 mins | Colour
Producer: Jim Sheridan
Scrip: Terry George, Jim Sheridan
Cast: Daniel Day-Lewis, Pete Postlethwaite, Emma Thompson, John Lynch, Saffrom Burrows, Corin Redgrave, Gerard McSorley, Philip Davis
Production: Hell’s Kitchen Films, Universal Pictures
Print Source: Universal Pictures, Ireland

 

http://youtu.be/tvqYjlSot7c

Posted: July 2, 2013 in Uncategorized

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Posted: July 2, 2013 in Uncategorized

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I have started reading the script of  August: Osage County. Its shaping up to be a good play

Original Broadway windowcard

Synopsis:ugust: Osage County is the Pulitzer Prize winning drama by Tracy Letts directed by Anna Shapiro which premiered in 2007 to a crowd of many theatre lovers. Many who have enjoyed the play when it first came out have seen it on more than one occasion after it started a tour around America.

Tracy Letts’ play belongs to the black comedy genre, giving it quite a darkly dimension. The action revolves around the Weston family who is forced to confront their reality both from their past and their present. The plot of August: Osage County is very enjoyable and has made many people applaud the writing and directing efforts every single time the play was presented.

The August: Osage County plot begins in August as the action takes place over several weeks in the home of Beverly and Violet Weston in Oklahoma. Beverly is a poet and has a drinking problem while his wife suffers from mouth cancer and has become addicted to drugs. The story begins when Beverly is trying to hire a new live-in cook and caregiver for Violet.

Problems between the couple are part of the plot from the first scene when Johnna is hired. A few weeks later Beverly disappears which motivates the family to come together to look for him but only to find a few days later that he has committed suicide. Barbara and Karen, the other two daughters of Violet and Beverly, along with Ivy who lives in the house come to their father’s funeral, as does the entire family.

A series of conflicts ensue over the next several days as Violet and Barbara have never understood each other. Karen’s fiancé proves to be a pot smoker and tries to molest his soon to be niece, Ivy is planning to run away with her cousin after engaging in a romantic relationship, but he proves to be her half-brother and, at the end Violet remains alone, only with Johnna.

The August: Osage County characters are the most important part of the play, as both the writer and the director have built incredible and vibrant people that can be very relatable. The characters portrayed by the actors have done great justice to the play and made it into a Pulitzer Prize winner.

The main characters of August: Osage County are Beverly and Violet Weston. They are married and live in a three-story home in Oklahoma. They have three daughters by the name of Barbara, Karen and Ivy in the order of their age. Beverly is a well-known poet but has a drinking problem, probably due to Violet being a drug addict. Violet herself has a health problem an struggles with mouth cancer and needs drugs to treat her and alleviate her pain. She is also upset with her oldest daughter leaving her home, making her subject to the drugs.

Beverly and Violet are having marital problems and are constantly fighting over many issues, which is what leads Beverly into committing suicide at the beginning of the play. When this occurs the entire family is pulled together to attend the funeral and chaos ensues along with confrontation between family members.

Violet and Barbara have never gotten along and are constantly fighting. Barbara herself is in an unhappy marriage as her husband is cheating on her with a younger woman and her 14 year old daughter smokes pot. Karen has a fiancé who joins her niece in smoking pot and engages in shameless flirting with his soon to be niece.

Ivy also has a problem with her mother as Violet always picks on her for not having a romantic life, However Ivy has been engaging secretly in a romantic relationship with her cousin Little Charlie, who turns out to be her half-brother. Other characters of August: Osage County are Charlie and Mattie Fae – Violet’s sister – their son Little Charlie and the newly hired live in cook Johnna.

Steppenwolf Theatre ensemble members Rondi Reed (left) and Amy Morton in the original Chicago cast of August: Osage County.

Tony Awards 2008

Awards
‘August Osage County’ was a play produced by Steppenwolf Theatre Company and directed by one of its members and long time collaborators, Anna D. Shapiro. It gained an immensely positive critical acclaim, so it was commissioned to be played on Broadway. It also was able to hit international famous scenes in countries like Argentina, England, Germany, Israel, Sweden and Peru. Because of its big success, the play also was nominated and won many awards, starting with the award for Best Director and ending with a Pulitzer. The drama will also be turned into a film.

‘August Osage County’ received its first award in the year of 2007. The Jeff Award (Chicago) was awarded to August Osage County for Best New Work and Best Production. These two awards were closely followed in 2008 by other six awards: Best New Play awarded by Drama Desk, Distinguished Production of a Play by Drama League, the New York Drama Critics’ Circle Award for Best Play and Outer Critics Circle Award for Outstanding New Broadway Play. 2008 was also the year August Osage County received the biggest award in the industry, the Pulitzer Prize for Drama, shortly followed by a Tony Award for Best Play. The success of the drama didn’t end here. Times Magazine named August Osage County its Number 1 Theater Production in 2007. In 2009, the popular magazine Entertainment Weekly put the play on its famous end-of-the-decade, best of list. The critics at the magazine said that despite the fact that it is three and a half hours long, the director and the actors managed to create a moment of pure theatrical electricity.

The biggest success of August Osage County was the fact that it won a Pulitzer for Best Play. The Pulitzer if one of the most prestigious prizes in the world, being granted every year for outstanding creations in journalism, literature, drama.

 

August County is about the Weston family and how they are an unhappy family with a knack for making each other miserable. When the head male figure in the household disappears the members of the Weston family go about getting together to find him while attacking one another in the process. This story was the winner of a Pulitzer Prize in 2007 and since this event it has been very well received by many audiences and critics through countless reviews coming from all over the US. Set in the plains of Oklahoma the play August Osage County by Tracy Letts gets much praise by many people for its grittiness and darkness. Many famous people have gone to see this play on Broadway New York and in other areas as well and have also reviewed it favorably including one Oprah Winfrey who hailed it as “outstanding” on twitter but the dark comic drama August: Osage County is a play that is loved by many more and hailed as one of the best plays that Broadway has ever hosted. Below is a list of reviews from famous publications and people for the play.

The New York Times Hails:

“Alcoholism, drug addiction, adultery, sexual misbehavior: The list of pathologies afflicting one or another of the Weston family is seemingly endless, and in some ways wearily familiar. But Mr. Letts’s antic recombination of soapy staples is so pop-artfully orchestrated that you never see the next curveball coming, and the play is so quotably funny I’d have a hard time winnowing favorite lines to a dozen. “

The Seattle Times Says: “On Todd Rosenthal’s magnificent, three-story dollhouse of a set (nod to Ibsen), director Anna D. Shapiro and a splendid acting ensemble make shameless voyeurs of us all.”

While the LA times boasts: “August” is a feast for actors and audiences alike. The ensemble doesn’t disappoint”

Its now being adapted into a film with:

Meryl Streep as Violet Weston
Julia Roberts as Barbara Weston
Margo Martindale as Mattie Fae Aiken
Sam Shepard as Beverly Weston
Chris Cooper as Charles Aiken
Benedict Cumberbatch as “Little” Charles Aiken
Ewan McGregor as Bill Fordham
Juliette Lewis as Karen Weston
Abigail Breslin as Jean Fordham
Dermot Mulroney as Steve Heidebrecht
Julianne Nicholson as Ivy Weston
Misty Upham as Johnna Monevata
Newell Alexander as Dr. Burke

Dr. Burke is a character written specifically for the film I think 🙂

 

 

Tracy Letts

playwright and actor, Tracy Letts received the 2008 Tony Award for Best Play for August: Osage County. This is his first nomination for performance.

1 NOMINATION

Best Performance by an Actor in a Leading Role in a Play
WINNER

Tracy Letts

TRACY LETTS (Playwright) has been a Steppenwolf ensemble since 2002. He was awarded the 2008 Pulitzer Prize for Drama for his play August: Osage County, which played on Broadway for over a year, following a sold-out run at Steppenwolf in 2007. August also enjoyed a sold-out engagement at London’s National Theatre and a U.S. National Tour in summer 2009. Other accolades include five Tony Awards (including Best Play), an Olivier Award and six Jeff Awards (including Best Play). Mr. Letts is also the author of Superior Donuts, which had its world premiere at Steppenwolf in 2008 and opened on Broadway in 2009; Man from Nebraska, which was produced at Steppenwolf in 2003 and was a finalist for a Pulitzer Prize; Killer Joe, which has been produced in Chicago, London and New York; and Bug, which has played in New York, Chicago and London. He has appeared at Steppenwolf in Betrayal, The Pillowman, Last of the Boys, The Pain and the Itch, The Dresser, Homebody/Kabul, The Dazzle, Glengarry Glen Ross (also in Dublin and Toronto), Three Days of Rain, Road to Nirvana, Picasso at the Lapin Agile and the Steppenwolf for Young Adults production of The Glass Menagerie. Other Chicago stage credits include The Caine Mutiny Court-Martial (A Red Orchid Theatre), Conquest of the South Pole (Famous Door), Bouncers (the Next Lab) and his directorial debut at the Lookingglass Theatre with Great Men of Science Nos. 21 and 22. He also appeared in Who’s Afraid of Virginia Woolf? at Atlanta’s Alliance Theatre, directed by ensemble member Amy Morton. Television credits include: The District, Profiler, Prison Break, The Drew Carey Show, Seinfeld and Home Improvement. Film appearances include Guinevere, U.S. Marshals and Chicago Cab.

Steppenwolf Theatre Company
The Steppenwolf Theatre Company is, as the name implies, a theatre company that is based in Chicago. It has been founded in the year 1974 by Terry Kinney, Gary Sinise and Jeff Perry and has moved its location from the basement of a church in Highland Park into its own building over the years, symbolizing great success. The Steppenwolf Theatre Company is now located in the Lincoln Park neighborhood on Halsted Street, Chicago.

In its long time running the theatre company has also won a Tony Award. Members of the company have always been responsible for running it which counts very much in the sense of total dedication, guaranteeing its success over the years. The artistic director of the Steppenwolf Theatre Company has been Martha Lavey for more than fifteen years. David Hawkanson has been the executive director of the company since 2003.

The theater company did not make the transition easily between its original location and that it has now. If first moved into a 134-seat theater and afterwards, two years later into a bigger 211-seat one. The Halsted Street address that the company is now on has been its home since 1991 and has represented one of the most important reasons why Chicago is a leader in the performing arts.

Of the first performances at the Steppenwolf were Grease, Rosencrantz and the Guildenstern are Dead and The Glass Menagerie. Many great names have formed a part of this theatre over the years and many have went on to even greater careers and achievements after passing through the Steppenwolf. John Malkovich and Steve Martin were two of the actors of this theatre that went on to make motion pictures that are memorable to thousands of people around the world. Tracy Letts, another active member of the Steppenwolf has won the Pulitzer Prize for Drama for his play August: Osage County.

Playright Tracy Letts, responsible for writing the Pulitzer Prize winning drama August: Osage County was born on July 4th 1965 in Tulsa, Oklahoma. He has been active since 1988 and apart from writing has also graced audiences by acting on stage and in feature films.

Tracy Letts is the son of Dennis Letts and Billie Letts. He has taken his love of writing and the theatre from both his parents as his father was an actor and a college professor, while his mother was a best-selling author. Tracy’s family has always been interested in the arts, as Tracy’s brother Shawn is a composer and a jazz musician.

Letts moved from his home-state of Oklahoma to Dallas to pursue an acting career. His first roles began there and he moved to Chicago at the age of 20 where he began working with Steppenwolf and the Famous Door. He is still a part of the Steppenwolf company to this day. Tracy has made an effort to make his achievements even greater and started the Bang Bang Spontaneous Theatre – which many important names were a part of.

The writer Tracy Letts began his career in 1991 with the Killer Joe play which he managed to put on stage two years later in Chicago at the Next Lab Theatre. Many years have passed since the premiere of Killer Joe and Letts’s play made its way into 15 countries and has been translated into 12 languages.

The most famous play of the writer is August: Osage County, which was first presented in Chicago in 2007 and then moved to New York. The play has been on Broadway for 2 consecutive years, from 2007 to 2009 and has gained great fame and, of course, a Pulitzer Prize for Drama. Tracy Letts draws his inspiration from the plays of Tennessee Williams as well as writers Jim Thompson and William Faulkner.

Anna D. Shapiro, Director
Anna D. Shapiro in an American director and was born in 1967. She specialized in theater directing and received an undergraduate degree from Columbia College in Chicago. She also went to Yale School of Drama. In 1996 she received a Princess Grace Award for her professional achievements. All her colleagues from Yale named her ‘the waitress who will one day run American theater’ because she was bold, inventive, creative and the smartest person in the Yale program. She perceived the theatrical scene in Chicago as being full with psychological realism. Anna D. Shapiro was born in Evanston, Illinois.

In 2002, Anna D. Shapiro started a career as head of the Graduate Directing Program in Theater at the Northwestern University. Her longest professional partnership and most successful was with Steppenwolf Theatre. Today, Anna D. Shapiro is an artistic associate at Steppenwolf Theater.

Her theatrical portfolio as a director includes plays like ‘Until We Find Each Other’, ‘The Pain and the Itch’, ‘Three Days of Rain’, ‘The Ordinary Yearning of Miriam Buddwing’, and ‘The Infidel’. Other names include ‘Iron’ at Manhattan Theater Club and ‘A Fair Country’ at Huntington Theater Company, proving that she collaborated with other theater companies as well. This helped her a lot to expand her artistic horizon, paving the way for her biggest success. Anna D. Shapiro’s portfolio as a director includes 10 plays and one big Broadway success.

Her biggest success was directing ‘August: Osage Country’ by Tracy Letts. For this play she won the Jefferson Award for Best Director. Being such a success, the play was commissioned by Broadway. The Broadway cast was the same as the initial cast, with only two actors being replaced. After being played in Broadway, ‘August: Osage Country’ was named by famous and reputable Time Magazine as the Number 1 Theatrical Production of 2007.

The Author

Nathan Lowel

l
Nathan Lowell has been a writer for more than forty years, and first entered the literary world by podcasting his novels.

His sci-fi series, The Golden Age of the Solar Clippergrew from his long time fascination with space opera and his own experiences shipboard in the United States Coast Guard. Unlike most works which focus on a larger-than-life hero (prophesized savior, charismatic captain, or exiled prince), Nathan centers on the people behind the scenes–ordinary men and women trying to make a living in the depths of space. In his novels, there are no bug-eyed monsters, or galactic space battles, instead he paints a richly vivid and realistic world where the “hero” uses hard work and his own innate talents to improve his station and the lives of those of his community.

Dr. Nathan Lowell holds a Ph.D. in Educational Technology with specializations in Distance Education and Instructional Design. He also holds an M.A. in Educational Technology and a BS in Business Administration. He grew up on the south coast of Maine and is strongly rooted in the maritime heritage of the sea-farer. He served in the USCG from 1970 to 1975, seeing duty aboard a cutter on hurricane patrol in the North Atlantic and at a communications station in Kodiak, Alaska. He currently lives in the plains east of the Rocky Mountains with his wife and two daughters.

From Nathan:
My “golden age of science fiction” started when I was ten in 1962. I rapidly exhausted all the sci-fi titles at my school library. To feed my reading obsession, an aunt who was a voracious reader, dropped off a paper grocery bag full of Ace Doubles every month. For those unfamiliar, a double is two novellas in one book printed back to back. You read one to the middle, then flip it over and read the other. My inspiration comes from all the greats: Asimov, Bujold, Cherryh … through Lackey, Modesitt, Moon … all the way through Weber, Willis, and Zelazny. I always had a desire to write fiction and when I started listening to books on podcasts, I knew I found a media to tell the stories bottled up in me.”

His bio for press like  me 🙂

Nathan Lowell was born in Portland, Maine, in 1952. He grew up in an agricultural community in rural Maine and spent time working on fishing boats along the coast. His first literary success came with the publication of a poem while still in elementary school. That early success was followed by forty years of attempt, rejection, failure, and ultimately giving up on the dream of writing science fiction.

In 2007, with the rise of podcast fiction, he started writing again. He completed his first successful novel – Quarter Share – in January, 2007, and podcast it through Podiobooks.com over February and March, 2007. Since then he has written eight novels, several short stories, and a novella. His podcast novels have been finalists in the Parsec Award five times, and he’s won Parsec Awards for Speculative Fiction (long form) twice — 2010 and 2011.

He holds a BS in Business Administration with a minor in Marketing from SUNY/Buffalo (92), an MA in Educational Technology (98), and a Ph.D. in Educational Technology with specializations in Distance Education, Interactive Media, and Instructional Design (04). He lives Colorado with wife, two daughters, and a trio of feline companions.

His Awards and Nominations

  • 2011 Parsec Award Winner for Best Speculative Fiction Long Form (Owner’s Share)
  • 2011 Parsec Award Finalist for Best Speculative Fiction Short Form (Astonishing Amulet of Amenartas)
  • 2010 Parsec Award Winner for Best Speculative Fiction Long Form (Captain’s Share)
  • 2009 Parsec Award Finalist for Best Specultative Fiction Long Form (Double Share)
  • 2009 Podiobooks Founder’s Choice Award (Captain’s Share)
  • 2008 Parsec Award Finalist for Best Speculative Fiction Long Form (Full Share)
  • 2008 Podiobooks Founder’s Choice Award (Double Share)
  • 2008 Parsec Award Finalist for Best Speculative Fiction Long Form (South Coast)

I am a fan of the Solar Clipper Series on Podiobooks.com/Itunes 

Gigaom

If there anything we’ve learned in the last few weeks, it’s that  little things on the internet can make big statements about your life when it’s combined into a single pile. There’s a lot of those little things hidden in what many hope to be a “private space” — your email. And a small program from a group of MIT Media Lab students can mine your mail, take all those tiny things and create an artistic, disturbing and accurate picture of your life and relationships.

Hooking up to your Gmail account via a secure connection, Immersion scans accounts for metadata related specifically to the To, From, CC and Timestamp fields in emails. All of this metadata is readily available using the proper API, but not directly accessible from the mail account itself. From there, all of the data is sorted, categorized and placed into a beautiful graphic that shows all…

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25TH GALWAY FILM FLEADH

Dir. Frank Delaney | Ireland | 2012

Waking The Titanic

Waking the Titanic

At 4am on 10 April 1914, fourteen people left the tiny village of Lagherdaun, Co. Mayo (population 96). Escaping poverty, they were emigrating to America. Unfortunately for them they were booked to travel on the new superliner, the HMS Titanic. Eleven of the fourteen died in the tragedy. They became known as the ‘Addergoole 14’. The villagers from Lagherdaun were so traumatised by the loss that they went silent. They didn’t speak about it even among themselves. Within two generations the story was lost completely. This documentary tells the story of the Addergoole 14 and how the village that lost more people on Titanic than any other community in the world rediscovered their lost history.

Running Time: 52 mins | Colour

****

An Dubh Ina Gheal (Assimilation)

The poet Louis de Paor lived in Australia for ten years in the 1980s, where he composed Didjeridu and An Dubh ina Gheal, his poetic responses to the plight of the Aboriginal people. In the documentary An Dubh ina Gheal, Louis returns there to explore how the Irish, as a founding people in the story of white Australia, were complicit in their dispossession. At the heart of this exploration is the story of the Stolen Generations, mixed race children, many of Irish heritage, who were taken away from their families to be assimilated. A few decades later, an Aboriginal resistance lead by ‘Shamrock Aborigines’ of Irish descent saw theirs as a shared struggle against a common oppressor. Weaving social and personal history with poetry, An Dubh ina Gheal is the hidden story of the Irish in Australia.
Running Time: 53 mins | Colour

Louis de Paor is Director for  Centre for Irish Studies at NUI Galway. he was a special guest at the 2011 Daonscoil in Victoria, Australia.

***

Life’s a Breeze is a feel-good ‘recession comedy’ about a family struggling to stay afloat and stay together through hard times in Ireland. Unemployed slacker Colm (Pat Shortt), his aging mother Nan (Fionnula Flanagan) and his niece Emma (Kelly Thornton) must overcome their many differences to lead their family
in a race against time to find a lost fortune. Who said life’s a breeze?
The Galway Film Fleadh is delighted to present the world premiere of Life’s a Breeze as part of our 25th programme. Lance Daly’s latest is that rarest of things: a feel-good comedy that actually delivers on its promise. Featuring inspired performances from Fionnula Flanagan, Pat Shortt, Eva Birthistle and newcomer Kelly Thornton, Life’s A Breeze proves that, though the country may be bollixed, there’s still plenty to smile about in this life-affirming comedy

****

Running Time: 85 mins | Colour
Producers: Macdara Kelleher
Script: Lance Daly
Cast: Pat Shortt, Fionnula Flanagan, Kelly Thornton, Eva Birthistle
Production: Fastnet Films
Print Source: Wildcard Distribution

***

Discoverdale

A fly-on-the-wall film crew follows cult Irish comedy rock band Dead Cat Bounce on a desperate quest across Europe to reunite lead singer Jim with his long-lost father. Nothing out of the ordinary you might think, except that Jim thinks his father is none other than legendary rock god, the Deep Purple and Whitesnake frontman, David Coverdale.
Crossing Ireland, England, Norway and Denmark, the band follows the trail of Coverdale as he plays to his adoring fans on the Whitesnake Forevermore world tour. The boys have got no money, no contacts, and absolutely no idea what they’re doing – just blind faith that one day soon Jim will be sharing a jacuzzi in a 5-star hotel with the dad of his dreams – and hopefully some hot Asian chicks…
Like the deranged, clueless and yet somehow rather charming offspring of Anvil and Spinal Tap, Dead Cat Bounce manage to blag their way backstage into the canon of truly great rock’n’roll mockumentaries. A must-see for fans of music, comedy and ridiculous ginger men in corpse-paint.
The Director and members of the cast will attend
Running Time: 82 mins | Colour
Producers: James Dean, Chris Carey
Script: Shane O’Brien, James Walmsley, Demian Fox, George Kane
Cast: Shane O’Brien, James Walmsley, Demian Fox
Production: Ashmore Films
Print Source: James Dean

Fri 12 Jul Town Hall Theatre 23.00

Dead cat bounce have their finial show on September 10th at vicar street Dublin with Mick Cullen rejoining them on keybords for night thus a a 4 piece once again. They previously rocked Galway as a 4 piece at the Róisín Dubh   in 2009  at GAF 2009

***

 

Close To Evil

Close to Evil

In 1945 Tomi Reichental was a nine-year-old boy starving to death in Bergen-Belsen concentration camp. SS woman Hilde Lisiewicz was one of the Nazi guards that kept Tomi and his family in brutal captivity. 68 years later in 2013, Tomi speaks to schools all over Ireland about what he witnessed and how 35 members of his family perished in the Holocaust. Ninety-one-year-old Hilde lives quietly alone in Hamburg – a devout Roman Catholic, popular in her parish. An RTÉ Radio interview leads Tomi to go in search of Hilde. Along the way he uncovers a dark secret that Hilde has long hidden. Tomi seeks neither to accuse nor to avenge. Will his quest end in rejection or redemption?

The Director will attend
Running Time: 70 mins | Colour and B&W
Producer: Gerry Gregg
Script: Tomi Reichental, Gerry Gregg
Cast: Tomi Reichental, Efraim Zuroff, Mathilde Michnia aka Hilde Lisiewicz, Merrick Whyte, Anita Lasker-Wallfisch, Eckhard Lubkemeier
Production: Praxis Pictures for RTÉ and the Irish Film Board
Print Source: Screenscene

Tomi Reichental has previously  done I Was a Boy in Belsen and a memior under that Title.

Tomi Reichental, who lost 35 members of his family in the Holocaust, gives his account of being imprisoned as a child at Belsen.

Tomi Reichental was nine-years old in October 1944 when he was rounded up by the Gestapo in a shop in Bratislava. Along with 12 other members of his family he was taken to a detention camp where the elusive Nazi War Criminal Alois Brunner had the power of life and death. Tomi, his mother Judith and his brother Miki, his granny Rosalia and two other relatives were dumped into a cattle wagon on a train bound for Bergen-Belsen concentration camp. The others were sent to the slave labour camp at Buchenwald, where inmates were literally worked to death. It took seven days and nights for the train to arrive at Belsen as Allied bombing had disrupted rail links all across occupied Europe. All together, 35 members of the Reichental family – grandparents, uncles, aunts, cousins – died in the Holocaust.

For 55 years, Tomi didn’t speak of his experiences “not because I didn’t want to, but because I couldn’t.” Since breaking his silence he has been on a mission of remembrance. Tomi has lived in Dublin since 1959 and hardly a week goes by without him travelling up and down the country to talk to Leaving Cert. students about his wartime boyhood experiences.

As one of only three Holocaust survivors left in Ireland, Tomi is mindful that the horrors of the Holocaust will soon pass from memory to history.

“The Holocaust happened and it can happen again, and every one of us, if only for our own sense of self preservation, has a solemn duty to ensure that nothing like it ever occurs again”

Tomi puts it very simply: “In the last couple of years I realised that, as one of the last witnesses, I must speak out.”

Tomi’s story is a story of the past. It is also a story for our times.. The Holocaust reminds us of the dangers of racism and intolerance, providing lessons from the past that are relevant today. In Tomi’s words “…. The Holocaust didn’t start with cattle wagons and gas chamber, but with whispers, taunts, daubing and then abuse and murder. One of the lessons we must learn is to respect difference and reject all forms of racism and discrimination.”

Tomi Reichenthal

Tomi Reichenthal
Tomi Reichenthal returns to Belsen

Tomi Reichenthal returns to Belsen

****

25TH GALWAY FILM FLEADH PROGRAMME

Closing Film | Dir. Stephen Brown | Ireland, UK | 2013

The Sea

The Sea

Grieving after the death of his wife, Max Morden (Ciarán Hinds) returns to the seaside resort where he spent summers as a child. He lodges at a boarding house where frosty proprietor Miss Vavasour (Charlotte Rampling) now resides. Before long – and despite protestations from his daughter Clare (Ruth Bradley) – Max revisits the ghosts of his past.

Max’s mind returns to an idyllic summer in 1955 when, as a child, he encountered the Grace family. Carlo (Rufus Sewell) and Connie (Natascha McElhone) were unlike any adults he had met before.

Young Max befriends the young Grace twins, and his fascination for this unconventional clan transforms into intimacy and love. The children’s young nanny, Rose (Bonnie Wright) regards the new surrogate with quiet suspicion.

While Max recalls moments with his departed partner Anna (Sinéad Cusack), he also confronts a distant trauma from the past.

The Director, Matthew Dillon and Missy Keating  will attend. Ciarán Hinds and Sinéad Cusack TBC

Running Time:  87 mins | Colour

Producers:  Luc Roeg, David Collins

Cast: Ciarán Hinds, Charlotte Rampling, Natascha McElhone, Rufus Sewell, Bonnie Wright, Sinéad Cusack, Matthew Dillon, Missy Keating

Production: Independent  Film Company

Print Source:  Independent  Film Company

***

Monsters University

Monsters University

Ever since college-bound Mike Wazowski (voice of Billy Crystal) was a little monster, he has dreamed of becoming a Scarer – and he knows better than anyone that the best Scarers come from Monsters University (MU). But during his first semester at MU, Mike’s plans are derailed when he crosses paths with hotshot James P. Sullivan, ‘Sulley’ (voice of John Goodman), a natural-born Scarer. The pair’s out-of-control competitive spirit gets them both kicked out of the University’s elite Scare Programme. To make matters worse, they realise they will have to work together, along with an odd bunch of misfit monsters, if they ever hope to make things right.

Screaming with laughter and oozing with heart, Disney•Pixar’sMonsters University is directed by Dan Scanlon (CarsMater and the GhostlightTracy), produced by Kori Rae (UpThe Incredibles,Monsters, Inc.) and features music from future Rock and Roll Hall of Fame inductee and award-winning composer Randy Newman (Monsters, Inc.Toy Story 3).


Also screening:
Disney/Pixar Shorts Programme | Thursday 11 July | IMC 6 |14.15 

A very special selection of Pixar’s fantastic short films get a rare cinematic outing as part of our Animation focus (see related videos on the right hand side).

Running Time: 103 mins | Colour

Producer:  Kori Rae

Script:  Daniel Gerson, Robert L. Baird and Dan Scanlon

Cast (Voices): Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Alfred Molina

Production: Disney/Pixar

Print Source: The Walt Disney Company, Ireland

 Monsters University is the prequel to 2001 film Monsters, Inc.12 anniversary.

An Announcement

THE REAL DEAL

The Real Deal

€FREE | Thursday July 11th, 2013 | 10:30 a.m. – 3p.m. | The Veranda Radisson Blu Hotel


This year the conference is focused firmly on the new international trends emerging in filmmaking, taking an encompassing look at what producers should be doing to meet the new demands of the marketplace from development through to production and market exploitation.

This year the conference will be moderated by Angus Finney and will feature an exciting line-up with speakers from the Irish and international industry.

The 2013 Edition: Future Ideas – Future Business – Future Conversations

 

10.45 – 11.00: Welcome address by James Hickey, Chief Executive, Bord Scannán na hÉireann/Irish Film Board

11.00 – 11.45: Future Conversations: “Evolution or Revolution”
Opening presentation on creative management by Angus Finney followed by a conversation with the new BSÉ/IFB Project Managers Rory Gilmartin, Mary Callery and Keith Potter on their thoughts for development and creative producing.

11.50 – 12.30: Future Business: “Low Budget – Big Ambition”
An exploration of the practicalities, the do’s and don’ts of making a film on a tight budget without sacrificing artistic intent or market aspirations.

Speaker: Rebecca O’Flanagan (Producer, Treasure Entertainment)
Case Study: THE STAG produced by Treasure Entertainment

12.30 – 13.00: Lunch (refreshments will be provided)

13.00 – 14.15: Future Ideas: “Hybrid Distribution”
In time of turbulent change and disruptive technologies, we explore new ways to audiences.  

 

Key speakers:   Eduardo Panizzo – Coffee & Cigarettes; David Shear – Shear Entertainment;  Emily Best – Seed & Spark; Anita O’Donnell – re:fine Group

14.20 – 15.00  Future Business: The Future Is Here”

 

A discussion on the multiplatform UK release of Ben Wheatley’s “A FIELD IN ENGLAND”, Shane Meadows “MADE OF STONE” and Sophie Fiennes’ “A PERVERT’S GUIDE TO IDEOLOGY with Picturehouse.

Key Speakers: Sarah Frain & Gabriel Swartland (Picturehouse UK)

Please note that places will be limited at the conference as the venue has been changed to the Veranda Bar at the Radisson Hotel in Galway. You must sign up to secure your place atinfo@irishfilmboard.ie by Friday July 5th at 5pm.

 

Scenes from the Bigger Picture

Last week I was in London for a few days, doing some research. When I visit that city I always try to make time to visit the Royal Court bookshop. It doesn’t have as wide a selection of new plays as can be found in the amazing shop at the National Theatre – but what it does have is cheap scripts. Almost every new play the Court produces comes with a playscript that is usually priced somewhere between £2 and £5. So it’s possible when you visit to stock up on some great new writing for an affordable price.

That’s exactly what I did last week, coming away with new work by Lucy Kirkwood, Martin Crimp, Polly Stenham, Bruce Norris, and Bola Agbaje. Since then I have been reading and enjoying those plays – some of them very much.

I’ve been struck by a few thoughts while reading through…

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Dublin Fringe Highlights

Posted: July 2, 2013 in Uncategorized

Scenes from the Bigger Picture

I got an email this morning with highlights from this year’s Dublin Fringe. Some great stuff in there already, with more to come when tickets go on sale on 14 August.

The hottest tickets this year will surely be for the new work from Louise Lowe, Thirteen. This is, we’re told, a “citywide exploration and interrogation of the 1913 Lockout; building each day from one to thirteen events around themes and locations associated with the dispute through site-responsive performances and installations.”

One of the most impressive features of Louise Lowe’s work over the last few years is the way she’s been able to change direction and do new things from one production to the next – while also maintaining the core integrity of her work. Really looking forward to this.

Also delighted to hear of a new work from Amy Conroy, whose I ♥ Alice ♥  I and Eternal…

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