1905
The British high commissioner in South Africa, Sir Alfred Milner, establishes a commission to
deal with the “Native question.” The commission proposes racial segregation with black
“locations” set up on the fringes of cities and towns.
1910
The Union of South Africa is established following the Boer War, between the Boers, or
Dutch settlers, and the British. Membership in the South African parliament is limited to
white males, while blacks in the Cape were allowed to vote.
1912
The African National Congress is founded to campaign for nonracial democracy and human
rights.
1936
Blacks are removed from the voting rolls and allowed only three appointed white
representatives in parliament.
1940s
The ANC is revitalized by Walter Sisulu, who forms the ANC Youth League.
1948
After its electoral victory, the National Party (with largely Afrikaner membership) begins the
codification of apartheid and the legalization of all forms of discrimination against blacks.
1949
The Prohibition of Mixed Marriages Act makes marriage between races illegal.
1950
The Group Areas Act allows forced removals of blacks from white areas to Bantustans. The
Bantu Education Act provides for a separate, inferior educational system for blacks. The
Population Registration Act enforces total separation through the use of identity cards,
limiting travel between Bantustans and white areas.
1955
The ANC approves the Freedom Charter as a blueprint for a South Africa, which “belongs to
all who live in it — black and white.”
1960
The Sharpeville massacre — in which police open fire on several thousand unarmed blacks
who marched on a police station to protest the pass laws — ignites countrywide protests.
The government responds by declaring a state of emergency and outlawing anti-apartheid
organizations, including the ANC and the Pan-African Congress. Both groups move away
from peaceful protest and create an armed wing, Spear of the Nation (MK).
http://www.houghtonmifflinbooks.com 6 of 7 Copyright (c) 2003 Houghton Mifflin Company, All Rights Reserved1963
General Hendriek van den Bergh is appointed head of the Bureau of State Security, and
arrests escalate. Nelson Mandela and other MK leaders are arrested and sentenced to life
imprisonment. New laws are enacted that allow police to detain people for ninety days
without trial. Arrests and torture continue during the following decade.
1976
In Soweto, more than five hundred students are massacred during a protest of Bantu
education laws that mandate the use of the Afrikaans language in black schools. More
repression of black consciousness movement organizations follows, resulting in a swelling of
the ranks of the outlawed military wing of the ANC and the PAC.
1983
President P. W. Botha establishes a new parliament that includes participation by whites,
“coloreds,” and Indians but excludes blacks. The United Democratic Front is formed,
comprising more than five hundred political organizations. The UDF organizes consumer
boycotts of white businesses. Black targeting of those who break ranks or are seen as
collaborators escalates, with “necklace killings” destabilizing the liberation movement. MK
steps up its bombing campaign, and state-orchestrated violence escalates through the
1980s.
1981
Eugene de Kock heads Koevoet, a notorious counterinsurgency unit of the South African
army based in Namibia. De Kock will later operate out of South Africa’s most notorious death
farm, Vlakplass, just outside Pretoria.
Late 1980s
President F. W. de Klerk begins implementing more inclusive citizenship laws, thereby
dismantling the apartheid system.
1990
Nelson Mandela is released from prison. The Congress for a Democratic South Africa is set
up to plan for the peaceful transfer of power to the majority.
1994
Nelson Mandela is elected president. The ANC becomes the ruling party in parliament.
1995
The new government establishes the Truth and Reconciliation Commission as a means of
breaking the cycle of violence, bringing about social cohesion, and restoring peace. Nobel
Peace Prize winner Archbishop Desmond Tutu is appointed chairman.
1996
Pumla Gobodo-Madikizela joins the TRC as the only psychologist on the Human Rights
Violations Committee, in the Cape Town headquarters of the new commission.
1998
Eugene de Kock appears before the TRC, and Pumla Gobodo-Madikizela begins her
interviews with him, which result in her journey documented in A Human Being Died That
Night.

 

Jarlath Tivnan has just finished in Decadent Theatre’s ‘A Skull In Connemara’. Jarlath started acting in 2008 with NUI Galway’s drama society. Over the fours years he had lead roles in over twelve productions including ‘The Lonesome West’, ‘Delirium’, ‘Danti Dan’, ‘The Last Days of Judas Iscariot’ and ‘Philadelphia, Here I Come!’. He was nominated for best actor at the ISDA ceremony in 2008 for ‘Danti Dan’. Jarlath is also a member of Galway’s ‘Fregoli Theatre Company’. Credits with Fregoli include ‘Breathing Water’, ‘Blocked’, ‘The Sweet Shop’ and ‘Home’. At the Galway Arts Festival 2012 he played the role of ‘Piglet’ in Galway Community Drama’s production of ‘Frank Pig Says Hello’ directed by Andrew Flynn. This was first production with Decadent Theatre Company.

ISDA 2014 NUIG AWARD LIST
WIN: Best Sound – Callisto 5 (Ronan Gallagher in collaboration with Hannah O’Reilly, Conor Burke & Colm McElligott)
WIN: Best Supporting Actor – Joe Power (Damaris in Callisto 5)
Nominations:
Best Lighting – Jack Scullion (Callisto 5)
Best Costumes & Make-Up – Hannah O’Reilly & Joe Power (Callisto 5)
Best Set – Cody Meadows & Kathleen Greaver (1984)
Best Supporting Actress – Aoife Corry (Sweet Bird of Youth)
Best Supporting Actress – Hazel Doyle (Sweet Bird of Youth)
Best Ensemble – Cast of 1984
Best Director – Chris Moran (1984)
Best Production – 1984
Judges Discretionary Awards:
Innovative Presentation (1984)
10 Green Bottles (Callisto 5)

 

Aside  —  Posted: April 16, 2014 in Uncategorized
Tags: , , , , ,

 

On the occasion of the biennial conference of the Irish Association for Canadian Studies , the Québec Government Office in London grants a (an) academic member of the Association, domiciled ( e) in Ireland, a prize amount € 1000 for use as part of a study tour . Applications , including a curriculum vitae and a research project must be submitted to the President of the association, Elizabeth Tilley, [ elizabeth.tilley @ nuigalway.ie ] before April 14, 2014 . The prize is intended to reward and encourage research in the field of Québec studies in the broad sense , including linguistic and literary disciplines and the social sciences (sociology , history, economics & c . ) . Contemporary themes (focus on current issues ) are encouraged . Applications will be evaluated by a committee composed of members of the executive board of the association. The prize will be awarded to the winner / winner at the Hotel Meyrick Galway , at the seventeenth Conference of the Association for Canadian Studies in Ireland , from 9 to 11 May 2014. They are also looking for session chairs in some cases contact  Elizabeth Tilley, [ elizabeth.tilley @ nuigalway.ie ] if you could help

ACSI programme 10 april

 

 

Aside  —  Posted: April 16, 2014 in conferences, Uncategorized

Observe the Sons of Ulster Marching Towards the Somme Frank McGuinness

 

Pittsburgh Premiere
Directed by Matt Torney
September 4-20, 2014
Charity Randall Theatre

How strong is the bond between men united by the call to arms? Eight young men of Ulster, thrown together for army training during the Great War, must move beyond the troubles between Protestant and Catholic as they prepare for the Battle of the Somme. Frank McGuinness’ lyrical play captures the fierce friendship and loyalty among men who must face the wickedness and wastefulness of war.

f you enjoyed Band of Brothers, this World War I play will resonate with you. Appropriate for ages 12+.

Ulster

 

 

 

 

 

 

 

 

 

 

 

Picture

O’Punksky’s inaugural production in 1990

 

this play has a significant for Irish immigrants in Australia at the turn of the decade in 1989 In late 1989 a random group of actors joined Maeliosa Stafford at The Crossroads Theatre in Darlinghurst to work together on a play.  The group had no name and very little money but Frank McGuinness’s play and Maeliosa’s direction created a powerful energy. The cast and a few friends sourced the uniforms, designed and built the set, designed the program and marketed the show. This was the beginning of a new wave of collective, independent theatre in Sydney.The success of the production and the thrill of the experience formed some creative relationships and real friendships that became the O’Punksky legend. The play became a hit in the Sydney Festival of 1990.
This is a fierce, compelling, and infinitely compassionate play – delivered with incisive clarity by director Maeliosa Stafford and his cast of nine men…. Stafford penetrates the raw heart of this play; exposes its wrath, its wit, (there are some very funny moments), its humanity…. every actor on the stage makes a vigorous, convincing contribution to this fine ensemble production…..    Pamela Payne SMH.

“That night there was a glorious sunset. The guns were silent for a while and I heard someone in the reserve trenches starting to sing ‘Abide with me’ then slowly, all down the line, the men took up the hymn.”
Private Robb – Mid Antrim Volunteers.

 

New Perspectives Blog

Since beginning my placement at New Perspectives, I have been privileged to engage with the company and its work in a variety of ways; I have sat in on a play’s read through, devised and edited a teaser trailer for Him with His Foot in His Mouth, and even been let loose on their website. Throughout, I have been astounded by the company’s multi-faceted programme – not only do they seem to constantly be churning out high quality, innovative work of their own, they also devote a commendable amount of time and effort to the investment in, and development of, new writers and performers from the East Midlands. It’s for this reason that I jumped at the chance to sit in on a rehearsal of The Gramophones touring show, Playful Acts of Rebellion, in order to see, first-hand, how members of the company’s alumni have developed and prospered, since…

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History at Galway

DÓC001-TV Here, in case you missed it, is our very own Professor Dáibhí Ó Cróinín, discussing Patrick, Palladius, and the origins of Irish Christianity with Neil Delamere. The interview is part of a documentary called There’s something about Patrick , first broadcast on RTÉ 1 television on 17 March. You can catch the whole programme on the RTÉ Player , or have a listen to Delamere chat about the documentary with John Murray on RTÉ Radio 1 .

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The Yeats Society of Sligo welcomes all to the 55th Annual Yeats International Summer School, 27th July – 8th August 2014. Margaret Mills Harper and Matthew Campbell are the Director and Assistant Director. The distinguished roster of lecturers includes Maud Ellmann, Edna Longley, Lucy McDiarmid, Francis O’Gorman, Daniel Karlin, Patricia Coughlan, David Dwan, and Herbert Tucker. Sam McCready will lead the drama workshop, and Sinéad Morrissey will conduct the poetry workshop. Special events will include readings by Michael Longley, Donal Ryan, and John Kavanagh. The longest running summer school in Ireland presents its unique blend of learning, art, and fun, in beautiful Yeats Country. In conjunction with the Tread Softly Arts Festival, the Riverstown Music Festival, Fleadh Cheol na hEireann and other arts events, the town of Sligo invites all to discover the power of the imagination through the work of Ireland’s preeminent poet. http://www.yeatssociety.com/

Druid Theatre's _Whistle in the Dark_ by Tom Murphy

This  is a cast photograph from the 1987 production of A Whistle in the Dark, which was produced at the Jesuit Hall in Salthill and directed by Garry Hynes. This play history is well worth noting as it received its premiere at the Theatre Royal Stratford East in London in 1961 having previously been rejected by the Abbey Theatre. In the photograph are: (l to r standing) Peter Gowan, Maeliosa Stafford, Johnny Murphy, Mick Lally, Corinne Ransom. (Front row, L to R) Sean McGinley, Godfrey Quigley, David Herlihy.

ighly physical piece of political theatre
Written by Gregory Burke
Directed by John Tiffany
Associate Director – Movement: Steven Hoggett
Associate Director – Music: Davey Anderson
First performed at the Edinburgh Festival Fringe 2006
International tour 2007, 2008, 2010-11, 2012-13
‘Its music, by Davey Anderson, sounds better and more profound with every outing, drawn as it is from the songs of the people, and those of ordinary soldiers who marched away from the towns of Fife, Angus and Tayside, never to return.’ – The Scotsman

Track Listing

Pre-show music:
Artist: The Black Watch Pipes and Drums
Album: The Ladies From Hell
Label: Greentrax Recordings Ltd

1) Tattoo
Track: Fanfare
Artist: Various, Edinburgh Military Tattoo
Album: Spirit of the Tattoo DVD

2) Pub #1
Track: Spitting Games
Artist: Snow Patrol
Album: Final Straw
Label: Polydor Ltd (UK)

3) Pool Table
Track: First Sleep
Artist: Cliff Martinez
Album: Solaris Soundtrack
Label: Superb Records

4) Officer’s Email #1
Track: Officer’s Email #1 Underscore
Artist: Davey Anderson

5) Song
Track: Gallant Forty Twa
Artist: Traditional, arr. Davey Anderson

6) Lord Elgin
Track: Selection
Artist: The Black Watch Pipes and Drums
Album: The Ladies From Hell
Label: Greentrax Recordings Ltd

7) Song
Track: Forfar Sodgar
Artist: Traditional, arr. Davey Anderson

8) Fashion
Track: Farewell to Nigg
Artist: Shooglenifty
Album: A Whisky Kiss
Label: Greentrax Recordings Ltd

9) Blueys
Track: Summer 78 (Instrumental)
Artist: Yann Tiersen
Album: Goodbye Lenin Soundtrack
Label: Virgin Records France

10) Officer’s Email #2
Track: Officer’s Email #2 Underscore
Artist: Davey Anderson

11) Song
Track: Twa Recruiting Sergeants
Artist: Traditional, arr. Davey Anderson

12) Sunrise
Track: Maybe You’re My Puppet
Artist: Cliff Martinez
Album: Solaris Soundtrack
Label: Superb Records

13) Officer’s Email #3
Track: Officer’s Email #3 Underscore
Artist: Davey Anderson

14) Ten Second Fights
Track: Last Days
Artist: Max Richter
Album: Memoryhouse
Label: Late Junction

15) Suicide
Track: Suicide
Artist: Davey Anderson

16) Blast
Track: A Thearlaich Òig (Oh Young Charles Stewart)
Artist: Margaret Bennett & Martyn Bennett
Album: Glen Lyon
Label: Foot Stompin’ Records

17) Lament
Track: The Flowers o’ the Forest
Artist: Traditional, performed live on bagpipes

18) Parade
Track: Parade
Artist: Various, compiled by Davey Anderson from the following tracks:

Track: November
Artist: Max Richter
Album: Memoryhouse
Label: Late Junction

Track: Molly
Artist: Michael Nyman
Album: Wonderland Soundtrack
Label: Virgin Records

Track: The International Connection – Drum Fanfare
Artist: Simon Fraser University Pipe Band
Album: On Home Ground, Vol. 1
Label: Greentrax Recordings Ltd

Track: The Black Bear
Artist: Traditional, performed live on bagpipes

Yerma is one of the great world classics, written by Federico Garcia Lorca The play concerns a woman who lives in a small village, who feels like she has done everything right. Yet she cannot have what she wants, a baby, with her husband.

Lorcawas one of the most foremost of Spain’s poets and playwrights. Max Hafler produced a successful touring production of Lorca’s Blood Wedding in 2007

“Six actors describe a tense and passionate world with the pitch of their voices,the thrum of their feet, the sharp darting motion of their eyes.”IRISH THEATRE MAGAZINE on Max Hafler’s production of Blood Wedding

YermaPoster2

Pic by Jim Hynes

Pic by Jim Hynes

Cast:
Aoife Corry Yerma

Peter Kenny Juan

Jonathan Ryan Victor

Mollie Ball Maria

Ger Kelly Pagan Woman

Emily Flanagan Girl 1

Claire Keating Girl 2

Mollie Ball
Marie Hegarty
Emily Flanagan
Ger Kelly
Claire Keating Washerwomen /chorus

Emily Flanagan
Mollie Ball Juan’s sisters in law

Emily Flanagan Dolores

Marie Hegarty Old woman

Jonathan Ryan The Devil

Claire Keating The Devil’s Wife

Chris Moran Boy at Romeria

Sean Mcloughlin Musician

Katerina Kavanova Singer.

Crew:

Dir: Max Hafler

ensemble and voice work:  Max Hafler

Photography: Jim Hynes

Social Media: Dave Joyce

PR Team: Max Hafler,Judith Wolfe, Jim Hynes and Dave Joyce

MD :Katerina Kavanova 

guitar and assistst MD :  Sean Mcloughlin

Set Design: Nelson Barre

Stage Manger:Nelson Barre

FOH: Judith Higgins,Judith Wolfe, Craig at the Mick lally , Nelson Barre

costumes Kate Lawlor

Lighting Paul from the MA, Frank

Props:  Nelson Barre,Chris Moran and members of cast and crew