The move comes in the face of persistent drought

Source: California May Extend Water Restrictions Next Year

Dxetails of the new funding were set out in the official letter of financial allocations for the HSE. In it, the Department of Health said that of the HSE’s total allocation of almost €13 billion, a sum of €38.5 million was to be used for a number of specific new service enhancements which the Government wanted to see prioritised.
This includes €10 million to be spent on implementing a new national cancer strategy, as well as on Newnew posts at Cork University Hospital and St Luke’s in Dublin, and on the costs of facilitating patients from the Republic receiving treatment in Derry.
Disability
A further €7.25 million is to be allocated for funding day-centre places for about 1,500 young adults with disabilities who will leave schools and training centres in 2016.
About €3.5million is to be earmarked to fund the opening of a new endoscopy unit in Roscommon, an acute floor including oncology services at St Luke’s Hospital in Kilkenny, a maternity unit in Wexford, a stroke unit at St James’s Hospital in Dublin, a new emergency unit in Limerick and a hospice in Kerry.
About €3 million is to be allocated to implement the new national maternity strategy; a further €3 million is to be earmarked for other hospital developments including recruitment for paediatric scoliosis services and stroke telemedicine consultants. Funding will also be provided for the living donor programme at Beaumont Hospital and for bilateral cochlear implants.
About €2 million is to go towards developing the national ambulance service. The HSE has also been instructed by the Department of Health not to earmark any less than €940 million next year for the Fair Deal nursing home scheme while the allocation for the State Claims Agency should be no less than €160 million.
The HSE has also been told that its budget for the primary care reimbursement service, which covers the medical card scheme among others, should no lower than €2.395 billion.

Martin Wall, The Irish Times

 

Niall Ó Dochartaigh

Attracta Ingram

A talk by Professor Attracta Ingram
Friday  27 November 2015 at 2.30 pm in Room 333, Aras Moyola, National University of Ireland Galway.
All welcome!
Organised by the Power, Conflict and Ideology Cluster in the School of Political Science & Sociology

Abstract
Human rights are increasingly used to justify a variety of Western interventions in the affairs of other nations, sometimes, but not always,  acting with an UN mandate.  This development became most evident in the military interventions in Somalia, Haiti, and the former Yugoslavia. Less dramatically, measures such as sanctions and conditions on aid have long been used against the more egregious human rights-abusing regimes.  At an everyday political level Western politicians are commonly expected to raise human rights issues on state occasions and trade missions with countries like China, Saudi Arabia, Burma, and many others.    As reflected in the world of ideas, this development of human rights practice…

View original post 325 more words

CLAMOROUS VOICE

This post is in addition to yesterday’s post about how to help the Syrian refugees at Calais by donating items in Oxford. Here are some more resources and information about ways to help, including a few more regional links:

View original post 452 more words

The Cherry Orchard Short Review

Posted: October 29, 2015 in Uncategorized

Writer: Anton Chekhov
Company: TG Stan, Belgium
Venue: O Reilly Theatre, Belvedere, 10th October 2015

In this production of Chekhov’s final comedic play, the audience members’ eyes or ears aren’t drawn to the lighting or the sound, but are drawn to the stage space and the minimal amount of set dressing. These performers aren’t interested in bells and whistles; they are more interested in the devised nature of this Chekhovian piece. This frenzied piece settles down into something more concrete after the first Act, the performance is  diluted by the constant asides to the audience. Female rolesperformances are strong, an ensemble piece is clearly marked out and Bert Haelvoet must be given a hat tip as he portrayed three different personas

this production has  come under fire from the print media and the blogging world for not using a director or dramaturge, this is their methodology and we must respect this. For new or established Chekhovians, it would get my recommendation as this audience member was captivated throughout

(c) Dave Joyce 2015

Excited for Vinyl from one of the godfathers of American cinema 🙂

Source: ‘Vinyl’, ‘Girls’ & ‘Togetherness’ Get February Premiere Dates On HBO

How to Keep An Alien Review,Galway

Posted: October 28, 2015 in Theatre

How to Keep An Alien Review

Writer: Sonya Kelly
Director: Gina Moxley
Performers: Sonya Kelly and Justin Murphy
Company: Rough Magic
Venue: Town Hall Theatre, Galway. 6th October 2015

This show is the perfect post marriage-referendum play as Sonya Kelly, both as writer and performer, lets the audience into a brief period in her personal life, five or six years ago, when herself and her partner Kate, who is Australian, embarked on a journey to get a defacto visa. This one-woman show is documentary theatre first and foremost. Kelly has assembled facsimile documents she brings onstage every night, which is symbolic of her journey and feeds them directly into the show. Kelly has to be commended for finding parallels between her story and the direct provision system. This show is in equal parts funny and heart-warming from start to finish and Kelly places episodes of emotion and stress in the script which humanises the story much more than just a show packed with one-liners.

The set design and lighting design was impressive. Kelly is able to tell her story with minimal props and minimum set dressing. The lighting design was the most impressive element as the lights were an integral part of the set design itself. This show is a high energy fun show and the music choices reflect this. Sound design was minimal, it allowed Kelly to tell her story without an overreliance on sound, for example using a flashlight and her folder Kelly conducted two Skype calls during the show. The design elements create an immersive atmosphere.

Going to see this play is a worthwhile experience as it is very enjoyable and humorous. All the elements in this production are top-notch. I can guarantee that you will leave the theatre having seen a worthwhile show

(c)Dave Joyce 2015

if you are in Galway this thursday panel discussion & debate on the ICA

Irish Centre for the Histories of Labour & Class, NUI Galway

ICA rooftop

‘The Irish Citizen Army: how significant was it?’

ICHLC panel discussion & debate

THURSDAY, 15 OCT., 8.pm, Galway Mechanics Institute, Middle St,

featuring:

Dr Ann Matthews, Dr Leo Keohane, Prof. Gavin Foster, and Mr James Curry, Dr Conor McNamara

All welcome; please share

INTRODUCING THE PANELLISTS:
* Ann Matthews is author of The Irish Citizen Army (2014) several books on women in the Irish Revolution, and an acclaimed play, Lockout. She has lectured in History at NUI Maynooth.
* Leo Keohane lectures in Cultural Theory at the Centre for Irish Studies, NUI Galway. A founder of the ICHLC, he is author of Captain Jack White: Imperialism, Anarchism & the Irish Citizen Army (2014).
* James Curry is a PhD Digital Humanities Research Scholar at NUI Galway and an ICHLC founder. His most recent publication (with Ciaran Wallace) is Thomas Fitzpatrick & the Lepracaun Cartoon Monthly (2014).
* Gavin…

View original post 56 more words

CLAMOROUS VOICE

IMG_3297
This afternoon, about 2,000 people gathered by Oxford University’s Sheldonian building for a peaceful demonstration in support of the Syrian refugees, showing that refugees are welcome in Oxford.

The demonstration was chaired by Mark Lynas. A speaker from Oxfam, Dr Hojjat Ramzy of the Oxford Islamic Information Centre, Asylum Welcome, Emmaus Oxford and other charities spoke, as well as current and former asylum seekers from Syria, Eritrea and Afghanistan. The head of Oxford City Council confirmed that Oxford would be welcoming refugee families, and called on the government to make funds available to expedite the process.

A speaker from UNISON called attention to the need to force the government to build more houses and abandon the racist policies which all parties espoused in the run-up to the last IMG_3294general election, before publicising the national day of action next Saturday. The author Mark Haddon called on Britain to…

View original post 285 more words

Adrian Dunbar, Frank Grimes, Laurence Kinlan, Ian Lloyd-Anderson and Kate Stanley Brennan act int in this Dublin Theatre Festival premiere production, directed by the playwright himself,  Conor McPherson, and with sound design by Gregory Clarke, The Night Alive by Conor McPherson is tipped to be one of the highlights of Dublin Theatre Festival 2015 and it is making its Irish premiere thus its a two birds one stone senario

 

Set in Dublin, The Night Alive tells the story of Tommy – a middle aged man, just about getting by. He’s renting a run-down room in his uncle Maurice’s house, keeping his ex-wife and kids at arm’s length and rolling from one get-rich-quick scheme to the next with his pal Doc.

 

Then one day he comes to the aid of Aimee, who’s not had it easy herself, struggling through life the only way she knows how. Their past won’t let go easily. But together there’s a glimmer of hope that they could make something more of their lives. Something extraordinary. Perhaps.

The stellar cast will feature Adrian Dunbar (BBC’s ‘Line of Duty’), Frank Grimes (who played the young Brendan Behan in the premiere stage production of ‘The Borstal Boy’ in 1967), Kate Stanley Brennan (Dollhouse), Laurence Kinlan and Ian Lloyd-Anderson (both ‘Love / Hate’).With warmth, style and craft, Conor McPherson’s spellbinding play deftly mines the humanity to be found in the most unlikely of situations.

A masterstroke from as writer and director” ★★★★

Time Out

 

The Night Alive first premiered at the Donmar Warehouse, London and afterwards transferred to the Atlantic Theater Company, New York where it won the 2014 New York Drama Critics’ Circle Award for Best Play. Now it makes its Irish premiere as part of the 2015 Dublin Theatre Festival programme on the Gaiety stage for two weeks only.

 

Don’t miss one of the highlights of the theatre year.

This play contains strong language from the out set