Article by Uinseann Mac Thómais here

Two former MA in Writing students from the National University of Ireland, Galway, Ndrek Gjini and Máire Holmes spent hours and hours talking about literature and the vibrant literary scene in Galway, and they came out with the idea of creating a literary magazine akin to many big cities. They shared this idea with the director of their MA course programme, Prof. Adrian Frazier, he loved the idea and since then things have started to move.

Paris has one. London has one. Dublin has its own, so why not Galway? These were the thoughts that filtered through their heads as they contemplated setting up http://www.thegalwayreview.com. While on a work period as Arts Office Assistant in the Galway City Council, Ndrek Gjini, got more encouragement on this project by The Galway City’s Arts Officer James Harrold.

The nine month incubation period in the Arts Office certainly caught the mood in Galway’s literary circles and indeed further afield. “We have had quite a staggering response with in excess of 24000 hits in 8 weeks, over 250 subscribers who sent us poetry, prose, short stories and reflections that echo the writing talent in the city and county” said the Galway Review’s managing editor, Ndrek Gjini, originally from Albania and now a full Irish citizen.

Such is the success of the web edition that Gjini has formed a partnership with retired civil servant Uinseann Mac Thómais, with a view to getting a printed edition on the streets to raise money for the Galway Hospice and to invest in future Galway Review projects.
“Collaborations are the spirit of a digital age and encouraged by the contributions of Galway’s writers who provided content for the first edition gratis, we feel the idea of a printed review might be sustainable. We won’t know until we try! “ said Mac Thómais, who is acting General Administrator to the project.

Starting a printed soft-back book-form magazine in a recession and when technology is challenging printed media is a major undertaking. The first print run will be on the streets of Galway around the 20th March distributed through various outlets in the city. Advance orders of a digital version and the printed version can be obtained through the website http://www.thegalwayreview.com and orders, in anticipation of another literary milestone for Galway are trickling in.

Galway’s Education Centre has seen the potential for the review and has offered start-up assistance to the project itself. Galway’s top writers from poetry, prose, and journalism feature in the Review and there are contributors in Irish and English. Guest editor Máire Holmes, herself a poet, acknowledges the contributions on fellow notable Galway writers that include Fred Johnston, Ronnie O’ Gorman, Des Kenny, Adrian Frazier and many others. “I am happy to say that our notable Galway contributors are too numerous to mention, you will need to get a copy to see for yourself” says Holmes.

In keeping with the digital era the The Galway Review will be sold in digital form as well as the limited printed edition. “Galway Hospice, who very kindly are lending their name also to the project will benefit proportionally if the sales are good. We will be selling the 165 page review for a concessionary price of €12 on March 20th, a standard price of €15, and a digital pdf format price of €3 for the first edition” says Mac Thómais.

There is an international element to the production also. The website acts as a magnet for Galway’s diaspora and readers and contributors from far-flung places in the world have been making an impact also. Contributions have come from the United States and Canada in particular. “I suppose it’s one way for people to keep in touch with what is going on at home and the flexibility of the internet allows people to interact and contribute too. If we can maintain the dynamic, it augurs well for Galway and its writers.” added Mac Thómais.

At present the Galway Review is a collective of interested writers and is currently being run on an informal and voluntary basis. An inaugural meeting will be held in an Taibhdhearc Theatre, Galway on March 20th next to examine issues of structure and finance that would allow the Galway Review to continue on a more sustainable footing. The agenda of the meeting will discuss issues of sustainability for the Galway Review and include the topics of an editorial board, finance, and general governance issues. “ A good meeting will give us a solid base from which to work and we are looking for good inputs from our invited audience of writers and other volunteers” explained Mac Thómais.

A Westport based printing company http://www.printforu.net has offered its services too at a very competitive rate to help get the fledgling Galway Review get up on its feet. Owner Darren Killeen has put faith in the Galway initiative. “Printforu is delighted to be able to support this start-up and to provide our service for the printed edition. I would like to wish the originators every good fortune with the venture and I sincerely hope that this will be the first of many editions.” he said.

Make Your Book Real

The Thames is a filthy beast: it winds through London like a snake, or a sea serpent. All the rivers flow into it, the Fleet and the Tyburn and the Neckinger, carrying all the filth and scum and waste, the bodies of cats and dogs and the bones of sheep and pigs down into the brown water of the Thames, which carries them east into the estuary and from there into the North Sea and oblivion.

It is raining in London. The rain washes the dirt into the gutters, and it swells streams into rivers, rivers into powerful things. The rain is a noisy thing, splashing and pattering and rattling the rooftops. If it is clean water as it falls from the skies it only needs to touch London to become dirt, to stir dust and make it mud.

Nobody drinks it, neither the rain water nor the river water…

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Make Your Book Real

The following post is reblogged in full from GalleyCat here.

The Avengers director Joss Whedon adapted William Shakespeare‘s comedy, Much Ado About Nothing, as a modern-day retelling. The trailer is embedded above–what do you think?

A limited release date has been set for June 07, 2013. The film has already screened at the Toronto International Film Festival and the Glasgow Film Festival. As previously reported, Whedon shot the entire movie at his own home in 12 days. Here’s more about the film from NPR:

As I watched Much Ado About Nothing, I had the distinct thought, “I wonder whether this is the future.” Not the future, of course — I don’t believe we’re anywhere close to the end of the blockbuster, nor do I believe we’re necessarily entering a new age of Shakespeare — but a big piece of the future. Big films have gotten…

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Make Your Book Real

What’s the best book promotion strategy you’ve ever seen?

Reddit co-founder Alexis Ohanian took to Reddit to seek promotion advice for his new book, Without Their Permission: How the 21st Century Will Be Made, Not Managed.

He asked the network of loyal readers: “What are some of the smartest things you’ve seen people do to promote a book? … I’d like to make the most out of all this time I have to do some awesome stuff for the fine folks who’d pre-order/buy a copy.”

We’ve collected ten reader responses below to help you plan your own book promotion.

 

Book Promotion Strategies That Actually Worked

1. oguerrieri wrote: “Definitely offer free e-book with purchase of hard copy! Something I wish every book did.”

2. JoanofLorraine wrote: “My favorite example is the writer who opened a storefront in Brooklyn that sold only copies of his own book.”

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Make Your Book Real

From hashtags to LOLs to Cupertinos and Scunthorpe problems, Tom Chatfield picks the most interesting neologisms drawn from the digital world

(Reblogged in full from The Guardian)

My book Netymology: A Linguistic Celebration of the Digital World is about the stories behind new words. I’ve been an etymology addict since I was a teenager, and especially love unpicking technological words.

It’s a great reminder of how messily human the stories behind even our sleekest creations are – not to mention delightful curiosities in their own right.

1. Avatars

This word for our digital incarnations has a marvellously mystical origin, beginning with the Sanskrit term avatara, describing the descent of a god from the heavens into earthly form. Arriving in English in the late 18th century, via Hindi, the term largely preserved its mystical meaning until Neal Stephenson’s 1992 novel Snow Crash first popularised it in a technological sense.

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The Dish

photo-22

As part of his “eulogy for the blog”, Marc Tracy touches upon the evolution of the Dish – which he praises as “a soap opera pegged to the news cycle”:

[T]oday, Google Reader is dying, Media Decoder is dead, and Andrew Sullivan’s The Daily Dish is alive in new form. This year, Sullivan decided that he was a big enough brand, commanding enough attention and traffic, to strike out on his own. At the beginning of the last decade, the institutions didn’t need him. Today, he feels his best chance for survival is by becoming one of the institutions, complete with a staff and a variety of content. What wasn’t going to work was continuing to have, merely, a blog.

We will still have blogs, of course, if only because the word is flexible enough to encompass a very wide range of publishing platforms: Basically, anything that contains a scrollable stream…

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Irish Election Literature

From July 1981 (at which stage six of the Hunger Strikers had died) a leaflet from the H Block /Armagh Committee looking to build support among the Trade Union movement for the Hunger Strikers and their demands.
hblockunion

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